Typography Book Projects: Psychogeographical Mapping, Cooking & Typography

Outlining some ideas for my typography class at Parson’s, for our book making projects.

For class, we will be creating 2 projects, which will turn into books. One is a psychogeographical map and the other is a little cooking memoir. I need to come up with idea for each.

The cooking book is to teach us about book binding and selecting type options for recipes, which can have many options. We need to pick a somewhat personal story/recipe. I think I will write about both my hatred of pot pies, as well as my love of Gordon Ramsay’s shepherd’s pie recipe, which I first made during Hurricane Sandy. This was also the week I adopted my cats, only kittens at the time, only 8-10 weeks old. At the time, the subways had been shut down, so I couldn’t go anywhere for a week. Luckily, because I was living so far north in Manhattan, there was no flooding and basically we didn’t lose any power. (In the East Village, it was another story.) I think there’s enough there to write a good story.

For the Psychogeographical Mapping…I’m drawing a blank. Some ideas:

  • dog runs
  • pet stores
  • Japanese grocery stores
  • Walking down the street listening to Rhapsody In Blue and taking note of what’s around me. (If you haven’t done this, while taking a walk in NYC, you’re really missing out.)
  • Mapping the Central Park Conservatory Garden, a good place to read. Maybe the benches.

Maybe some better ideas:

  • Map movie theaters in NYC that aren’t chains, up to 96th St. Meaning no Regal, AMC, or Imax theaters. City Cinemas is OK.
  • Map Goodwill Donation stores. I do go to Goodwill and the Salvation Army a lot.

I’m leaning towards the theater idea. Now to do some write-ups.

More Letters for A-Z Book

More letters for my A-Z project, from my Typography course at Parsons.

Before I forget, here are some new letters I’ve taken photos of.

A continuation from: http://alliwalk.com/blog/2019/02/progress-on-found-alphabet-miniature-accordion-book-typography-i/

Title Page Design for 1984

An ongoing assignment for my typography class is a title page design, for book. I chose ‘1984’, by George Orwell, for my first book.

For Typography 1, one of our ongoing assignments  is the creation of title pages for a book. Our book choices are limited to the following, with no art or illustrations allowed:

  • The Great Gatsby—F. Scott Fitzgerald
  • The Scarlet Letter—Nathaniel Hawthorne
  • 1984—George Orwell
  • Heart of Darkness—Joseph Conrad
  • The War of the Worlds—H.G. Wells

We’ve gone through 1 assignment, and we will be presenting an update to the previous assignment and will be adding another book. My first book choice was 1984. Here are some designs.

1984 – Futura

The feedback from critique was this was too much for a title page, but might be OK for a cover.
This one was ok, but maybe the title should be bigger, and the author name in all caps and smaller.
This one captures all the feedback: larger book title and changes to the author name.

 

 

 

 

 

 

 

 

Although the last one captures, all the feedback, it’s not very interesting. Maybe that’s as it should be. I went to Barnes & Noble and saw that many title pages were fairly simple; many followed the style from the cover.

Also, at the time I created this, I thought we were limited to only using the fonts we are going to study in the class which includes Futura. That’s not the case, so in my updates, I found other fonts that I thought suited the title better.

 

Round 2 – Incorporating Feedback

As of now, I chose 2 fonts that I thought were closer to the feeling of the book. Modern yet restrictive. I chose Bebas Neue and Bauhaus 93 with Futura as my fonts.

Although I created a bit of a custom version of the numbers, 1984, in Bauhaus 93, to crop the ‘4’ slightly, I prefer the longer ‘nineteen eighty-four’, which I saw in a few examples of the book. It just seemed more polished and finished. I’m undecided if I will use a version with extra space between the title and the author. The publisher is still in Futura.

Updated 1984, using Bauhaus and Futura.
Updated Nineteen Eighty-Four in Bebas Neue.
Nineteen Eighty-Four with Bebas Neue, with the extra space.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Having looked at them side by side, I think I may go with the version with the extra space between the title and the author. It’s a little less “designy” and seems like it would be better for a title page, whereas when the author is close, it seems more like a cover page.