{"id":5029,"date":"2022-02-12T08:12:16","date_gmt":"2022-02-12T14:12:16","guid":{"rendered":"https:\/\/alliwalk.com\/blog\/?p=5029"},"modified":"2022-02-11T14:00:54","modified_gmt":"2022-02-11T20:00:54","slug":"new-york-jewish-film-festival-2022","status":"publish","type":"post","link":"https:\/\/alliwalk.com\/blog\/2022\/02\/new-york-jewish-film-festival-2022\/","title":{"rendered":"New York Jewish Film Festival, 2022"},"content":{"rendered":"\n<p> <em>From January 12-25, 2022, <strong>The Jewish Museum<\/strong> and <strong>Film at Lincoln Center<\/strong> are delighted to continue their partnership to bring you the 31st annual New York Jewish Film Festival, presenting films from around the world that explore the Jewish experience.<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator is-style-dots\"\/>\n\n\n\n<p>Thanks to the magic of the internet, I got to attend this festival online for the first time. Thanks to work schedules and whatnot, I only watched 3 films. Despite my love of film festivals, yet limited film viewing, I was quite impressed with how many films, and even TV shows, there were to experience. <\/p>\n\n\n\n<p>One thing I neglected to do was watch and pay attention to all of the Q&amp;As. Usually Q&amp;As follow film screenings, when they&#8217;re held in person, so all you have to do is remain in your seat. This time, I was just happy I was able to make time to watch the films.<\/p>\n\n\n\n<p>Anyway, here are the 3 films I watched, in the order I watched them, plus some additional thoughts and details about the films.<\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2>With No Land (2021)<\/h2>\n\n\n\n<p><em>In May 1991, 15,000 Ethiopian Jews were airlifted to Israel in less than 24 hours\u2019 time. Known as Operation Solomon, this covert mission coordinated by the Israeli military saw the birth of eight babies en route and set the world record for the most passengers on a single aircraft. History regards the endeavor as an unqualified triumph, but 30 years later, the full story is being told. Aalam-Warqe and Kobi Davidian delve into the details that have been suppressed for all this time, and explore the desperate but motivated measures taken by Jewish Ethiopian activists in Israel, North America, and their country of origin. Archival footage and firsthand accounts of participants lend nuance to a story heretofore viewed as black and white, supplemented by accounts of recent efforts to finally relocate to Israel those whom Operation Solomon left behind.<\/em><\/p>\n\n\n\n<ul><li>Directors: <a href=\"https:\/\/virtual.filmlinc.org\/search.html?q=Aalam-Warqe%20Davidian\">Aalam-Warqe Davidian<\/a>, <a href=\"https:\/\/virtual.filmlinc.org\/search.html?q=Kobi%20Davidian\">Kobi Davidian<\/a><\/li><li>Languages: English, Amharic, Hebrew<\/li><li>Film page: <a href=\"https:\/\/virtual.filmlinc.org\/film\/with-no-land\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/virtual.filmlinc.org\/film\/with-no-land\/<\/a><\/li><\/ul>\n\n\n\n<p>I&#8217;m not sure I knew much about the history of these events prior to watching the film. Although the summary of the film is about the 1991 airlift, much of the film goes into events that happened prior to that \u2014 about the Ethiopian Jews who had been allowed into Israel earlier than 1991, how families were split up, how some were reunited \u2014 and how Israel refused to accept Ethiopians despite their religion. <\/p>\n\n\n\n<p>There was also a historical account of the political and military situation within Ethiopia, and how other countries and NGOs explicitly or secretly cooperated with the plans to relocate Jewish Ethiopians. Some had fled to Sudan while others remaining in Ethiopia were stuck between two fighting contingents \u2014 which seem to have renewed their conflict recently, again, if it ever went away. <\/p>\n\n\n\n<p>But a very interesting film and I&#8217;m glad I learned more about it. There is definitely more information about Operation Solomon to be found online. <\/p>\n\n\n\n<p>Here&#8217;s a 5-minute video from the BBC:<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/www.bbc.com\/news\/av\/magazine-36357423\" target=\"_blank\" rel=\"noopener noreferrer\"><img loading=\"lazy\" width=\"1024\" height=\"578\" src=\"https:\/\/alliwalk.com\/blog\/wp-content\/uploads\/2022\/01\/image-1024x578.png\" alt=\"\" class=\"wp-image-5035\" srcset=\"https:\/\/alliwalk.com\/blog\/wp-content\/uploads\/2022\/01\/image-1024x578.png 1024w, https:\/\/alliwalk.com\/blog\/wp-content\/uploads\/2022\/01\/image-300x169.png 300w, https:\/\/alliwalk.com\/blog\/wp-content\/uploads\/2022\/01\/image-768x433.png 768w, https:\/\/alliwalk.com\/blog\/wp-content\/uploads\/2022\/01\/image-1536x867.png 1536w, https:\/\/alliwalk.com\/blog\/wp-content\/uploads\/2022\/01\/image-1200x677.png 1200w, https:\/\/alliwalk.com\/blog\/wp-content\/uploads\/2022\/01\/image.png 1730w\" sizes=\"(max-width: 709px) 85vw, (max-width: 909px) 67vw, (max-width: 1362px) 62vw, 840px\" \/><\/a><figcaption><strong>Operation Solomon: Airlifting 14,000 Jews out of Ethiopia via BBC &#8220;Witness&#8221;<\/strong> <a rel=\"noreferrer noopener\" href=\"https:\/\/www.bbc.com\/news\/av\/magazine-36357423\" target=\"_blank\">https:\/\/www.bbc.com\/news\/av\/magazine-36357423<\/a><br \/><br \/>Click through to watch the first-hand account from someone who, at age 11, was airlifted out of Ethiopia as part of Operation Solomon. The witness describes his experience, and also talks about issues of assimilation between his and his parents&#8217; generation.<\/figcaption><\/figure>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2>Cinema Sabaya&nbsp;<small>(2021)<\/small><\/h2>\n\n\n\n<p><em>Nine women of divergent backgrounds enroll in a video production seminar that promises to teach the fundamentals of filmmaking. These residents of Hadera, Israel are Jewish and Arab, observant and secular, ensconced in all manner of domestic arrangements, with life spread out before some of them and regarded by others in hindsight. Strangers to one another (one of the Jewish attendees has never interacted with Arabs until now), the students share the common goal of self-expression through their cameras, with Tel Aviv\u2013based filmmaker Rona (Dana Ivgy, acclaimed star of&nbsp;Or&nbsp;and&nbsp;Zero Motivation) supplying instruction. Orit Fouks Rotem casts her debut feature with a mix of seasoned and nonprofessional actors, all shooting their own footage and viewing their colleagues\u2019 work for the first time on screen. Sparked by former workshop leader Rotem\u2019s personal experiences,&nbsp;Cinema Sabaya&nbsp;presents a deft and never didactic portrait of art\u2019s capacity to unite disparate communities.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Cinema Sabaya (clip)\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/l_Z7lpOxh8w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption><strong>Cinema Sabaya<\/strong>, clip (2:21)<br \/>Other Israeli Film Festival <br \/>(The official trailer is Unlisted on YouTube.)<\/figcaption><\/figure>\n\n\n\n<ul><li>Director: <a href=\"https:\/\/virtual.filmlinc.org\/search.html?q=Orit%20Fouks%20Rotem\">Orit Fouks Rotem<\/a><\/li><li>Languages: Hebrew, Arabic<\/li><li>Film page: <a href=\"https:\/\/virtual.filmlinc.org\/film\/cinema-sabaya\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/virtual.filmlinc.org\/film\/cinema-sabaya\/<\/a>  <\/li><\/ul>\n\n\n\n<p>The description seems provocative, like maybe this will be a story about Arabs and Israelis. Instead, the story was much more about the lives of the women, how free they felt at expressing themselves, and the support they gave each other while revealing sensitive aspects of their lives.<\/p>\n\n\n\n<p>For instance, one of the Israeli women seems at first grating and displays, maybe, this &#8220;toxic positivity&#8221; I&#8217;ve been reading about. She seems overly positive, very smiling&#8230;until she reveals that she hasn&#8217;t really interacted with an Arab person. She said, during the suicide bombings in Israel (before the wall), she crossed the street whenever she saw an Arab person. Later, during the course of sharing her filming assignments, it turns out her home life is not as positive as she appears to be. Her husband is withdrawn, likely suffering from PTSD. Her daughter doesn&#8217;t want to engage with her, and so forth. <\/p>\n\n\n\n<p>Another woman tells the group she has had to move herself and her children back in with her mother after leaving her husband. Her dream is to buy an apartment. During one of her video assignments, it&#8217;s revealed that she and her kids are living in a single bedroom with all the stuff she was able to grab when she quickly left her husband. It&#8217;s a very crowded and cramped room, and clearly not a place where she or her children can thrive.<\/p>\n\n\n\n<p>In another instance, a Muslim Arab woman, with 6 children, shares her dream of getting a driver&#8217;s license so that she doesn&#8217;t have to rely on her husband so much. Later in the film, the group role plays and acts out scenes where they pretend they&#8217;re confronting someone in their life about whatever dream they have. This woman plays herself and another woman plays her husband, and seems to accurately portray his dominant role in their marriage and her life. The Muslim Arab woman essentially gives up the argument when her partner declares, role-playing her husband, that he has decided she doesn&#8217;t need a license and he&#8217;s made up &#8220;his&#8221; mind. The rest of the group tries to encourage her to continue and just pretend, and to say what she feels even if she wouldn&#8217;t say it in real life. In a cathartic moment, she reveals that she regrets ever meeting her husband or marrying him at all. She reveals that she hates that he touches her, hinting at sexual aggression within the marriage. It&#8217;s clear she holds in her feelings of contempt for her husband. When the other woman tries to push her a little bit, to &#8220;give her courage&#8221;, the Muslim Arab loses her composure and attacks the woman by pushing her down, and then runs out of their community center. She disappears for the next few sessions, only to reappear on the day when they receive their completion certificates.<\/p>\n\n\n\n<p>I felt it was a very interesting story about the motivations and, not spectacular, but plain dreams of women, and how their wants are withheld or thwarted often by the men in their lives or by expectations for women to support or be the center of the family. <\/p>\n\n\n\n<hr class=\"wp-block-separator\"\/>\n\n\n\n<h2>Shtetlers (2020)<\/h2>\n\n\n\n<p><em>An invaluable record of tight-knit communities that endured genocide and shifting political regimes, <strong>Shtetlers<\/strong> offers a glimpse at the small Jewish towns (\u201cshtetls\u201d) dotting the former Soviet Union\u2014towns where for many years Yiddish continued to be spoken and ancient rituals dutifully observed. Located on the fringes of the territory, in what are now Ukraine and Moldova, these villages that withstood the Holocaust managed to abide by supplying non-Jewish neighboring towns with goods and services. Director Katya Ustinova examines nine former shtetl inhabitants, now spread out across the world, and solicits their memories of a resilient but ultimately vanishing way of life. Ustinova\u2019s documentary serves as an elegy for these once numerous strongholds of tradition and culture, but also, by archiving the recollections of those who experienced them firsthand, preserves them.<\/em><\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Shtetlers trailer\" width=\"840\" height=\"473\" src=\"https:\/\/www.youtube.com\/embed\/XqpOfHxdCIM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe>\n<\/div><figcaption><strong>Shtetlers<\/strong> trailer<\/figcaption><\/figure>\n\n\n\n<ul><li>Director: <a href=\"https:\/\/virtual.filmlinc.org\/search.html?q=Katya%20Ustinova\">Katya Ustinova<\/a><\/li><li>Languages: Russian, Ukranian, English, Yiddish<\/li><li>Film page: <a href=\"https:\/\/virtual.filmlinc.org\/film\/shtetlers\/\" target=\"_blank\" rel=\"noreferrer noopener\">https:\/\/virtual.filmlinc.org\/film\/shtetlers\/<\/a> <\/li><\/ul>\n\n\n\n<p>For this film, I did watch the Q&amp;A, because I started writing this before the film expired for my account. And I got to hear a little more about the background of the film. Sadly, I learned everyone in the film has passed away, except for one person. (Most of the people were elderly and I believe it some of the footage goes back to 2015.)<\/p>\n\n\n\n<p>On a positive note, the director revealed that there was Instagram account for the film, with additional animations and video not used in the film, so there&#8217;s more film to explore. <\/p>\n\n\n\n<blockquote class=\"instagram-media\" data-instgrm-permalink=\"https:\/\/www.instagram.com\/shtetlers\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:540px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/shtetlers\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\" rel=\"noopener noreferrer\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div><\/div><\/div><div style=\"padding: 19% 0;\"><\/div> <div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><\/g><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><\/g><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/svg><\/div><div style=\"padding-top: 8px;\"> <div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\">View this profile on Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div><\/div><\/a><p style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; line-height:17px; margin-bottom:0; margin-top:8px; overflow:hidden; padding:8px 0 7px; text-align:center; text-overflow:ellipsis; white-space:nowrap;\"><a href=\"https:\/\/www.instagram.com\/shtetlers\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;\" target=\"_blank\" rel=\"noopener noreferrer\">Shtetlers<\/a> (@<a href=\"https:\/\/www.instagram.com\/shtetlers\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" color:#c9c8cd; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:normal; line-height:17px;\" target=\"_blank\" rel=\"noopener noreferrer\">shtetlers<\/a>) \u2022 Instagram photos and videos<\/p><\/div><\/blockquote> <script async=\"\" src=\"\/\/www.instagram.com\/embed.js\"><\/script>\n\n\n\n<hr class=\"wp-block-separator is-style-wide\"\/>\n\n\n\n<h3>Ending Thoughts<\/h3>\n\n\n\n<p>As I mentioned above, it was my first time participating in this film festival. I think Film at Lincoln Center tends to host many types of film festivals, so I&#8217;ll try to pay more attention from now on. <\/p>\n\n\n\n<p>There seemed to be something like 30 films, both online and in-person. The festival must have been fairly popular because many of the online films sold out or expired before I could watch them. <\/p>\n\n\n\n<p>The line-up of online films seemed like a really nice mix. For instance, they had at least one option of short films (&#8220;Shorts&#8221;), which I often enjoy, but I didn&#8217;t watch any this time. <\/p>\n\n\n\n<p>Anyway, definitely recommend watching any of the three films above, if the chance arises. In the meantime, I&#8217;ll take note for next year&#8217;s festival and onward to the next!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>From January 12-25, 2022, The Jewish Museum and Film at Lincoln Center are delighted to continue their partnership to bring you the 31st annual New York Jewish Film Festival, presenting films from around the world that explore the Jewish experience. Thanks to the magic of the internet, I got to attend this festival online for &hellip; <a href=\"https:\/\/alliwalk.com\/blog\/2022\/02\/new-york-jewish-film-festival-2022\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;New York Jewish Film Festival, 2022&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,80,1],"tags":[667,666,427,664,670,663,668,665,669],"_links":{"self":[{"href":"https:\/\/alliwalk.com\/blog\/wp-json\/wp\/v2\/posts\/5029"}],"collection":[{"href":"https:\/\/alliwalk.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alliwalk.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alliwalk.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alliwalk.com\/blog\/wp-json\/wp\/v2\/comments?post=5029"}],"version-history":[{"count":15,"href":"https:\/\/alliwalk.com\/blog\/wp-json\/wp\/v2\/posts\/5029\/revisions"}],"predecessor-version":[{"id":5046,"href":"https:\/\/alliwalk.com\/blog\/wp-json\/wp\/v2\/posts\/5029\/revisions\/5046"}],"wp:attachment":[{"href":"https:\/\/alliwalk.com\/blog\/wp-json\/wp\/v2\/media?parent=5029"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alliwalk.com\/blog\/wp-json\/wp\/v2\/categories?post=5029"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alliwalk.com\/blog\/wp-json\/wp\/v2\/tags?post=5029"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}