Documentary: Broadway and Prince St.

For a Video for New Media project, I worked again with Lucas Werthein, and also Krystal Banzon, on a documentary featuring an intersection in New York City. Eventually we chose Broadway and Prince St., the home of Dean and Deluca and my hair salon. It’s a pretty hectic intersection in Soho that always seems to be busy.

Lucas, who was undeniably the most experienced person in our group, was inspired by a short film called “Latitude_Redux“:

Latitude_Redux is a condensed extract from D-Fuse’s live sonic cinema performance with the split screen representing the 2 screens used in the live show. It is inspired by the notion of drifting through the land + soundscapes of China and uses fragments of conversations, lights, + architectural forms to trace the multitudes of paths, identities + influences which make up the rapidly changing urban environments of Shanghai, Guangzhou and Chongqing.

It’s a really fast-paced short film and you get a sense of the selected urban environments in China, something that could easily be translated to New York’s urban scene. Due to serious schedule conflicts with our team, Lucas ended up doing most of the editing. One of my favorite parts of our video happens about 46 seconds in and last for just two to three seconds. What you see is a blur of many still images of people’s feet walking across the crosswalks in the intersection. We used a Panasonic Lumix and a Canon G10, both on tripods, to record those shots. We probably could’ve gotten many more, but it was really cold that day and the buildings kept blocking out the sunlight as time went on.

Pulse from Allison Walker on Vimeo.

Subjective/Objective Migration of the Caribou

Caribou from Allison Walker on Vimeo.

For an assignment intending to investigate our chosen animal, Caribou, from a subjective and objective perspective, Jenine Durland and I made a pseudo-documentary of the Porcupine Caribou. I dressed as our character, while Jenine provided the voice-over in the video. Video editing by her; voice editing by me.

The mask is the same mask I used in a previous assignment. (Check out this video I made for another class using those stills.) For the antlers, I just used a coil of wire I found on the junk shelf and made a headband out of it. The car adapter serves the purpose of not only looking interesting but also keeping the antlers on my head.

It was a fun time, but I can’t say I’ll do it again. The weirdest feeling I had was definitely on the train. You can’t imagine the stares I got when I started to put on my mask and antlers. The dog in the video was also pretty confused with me and didn’t really seem to know how to react.

My Life as a Deer (video!)

Yet again, I revisit my deer self, for this final video blog. In this video, I take a little liberty with the humor of the audience. I won’t go into this too much, and I’ll just let the beginning shot of the legs be the only enticement. Clearly however, the sensuality of the music (Sensual Woman, by The Herbaliser) is what convinces and carries this vlog to the end.

As for the editing, much of this was me experimenting with different filters in Final Cut. Eventually, I ended up using a lot of crossover fades, blur, scale and an interesting color correction filter.

My Life as a Deer from Allison Walker on Vimeo.

Samples from my apartment

In this second vlog, I strung together many video clips of different places from my apartment, which has an interesting character. My place is kind of dark, which made color correction difficult. It’s just something I need more practice with, I guess. The music is “Beat Was A Bumpin” by DJ Cue. It’s a bit lively, but also monotonously repetitive. The repetition fits with how ordinary each short video clip is, but the beat helps give the shots some animation and character that they wouldn’t have if the music was slower.

Samples from my apartment from Allison Walker on Vimeo.

Graffiti in the East Village

Here’s the first of 3 video blogs. This one features the wall I see every morning on my way to school. I don’t really think too much of it when I walk by, mostly because I’m looking at the ground to make sure I don’t walk in crap, but seeing it like this in one continuous shot gives me a new perspective.

Graffiti on 13th St from Allison Walker on Vimeo.

Cultural representations of the Shark

Land Shark
Used by Saturday Night Live in a comedy skit, the shark is used as the punch line of a recurring joke and is seen as a clever serial killer. The synopsis is the Land Shark goes to apartments and masquerades as a plumber or deliveryman (i.e. “candy gram”). Eventually, the resident is tricked into opening the door and is eaten by someone wearing a rather crude shark costume. The shark could be seen as a symbol representing a very serious crime, serial killing. However, if it were not for our general fear of sharks and knowledge of their nature to seemingly kill things indiscriminately, this sketch would not be funny.

Finding Nemo
The shark is used as an element of intimidation and humor. In this clip, the shark intimidates two fish into joining their fish eaters anonymous group where they attempt to change the impression of sharks from “mindless eating machines”. The sharks represent more simple minded characters, which is expressed through their Cockney accents, scars, and brutishness.

Shark Week
The Discovery Channel uses sharks as the theme for an entire week of television…with the theme of shark. It is clear that sharks are portrayed as dangerous, man-eating killers – as can be seen by the shark image on the homepage. They have also created a short Flash-based film/video called Frenzied Waters in which the viewer takes a first-person view of shark victim. There is a lot of educational information on the site, but it’s all cloaked within the image of dangerous, fearful shark.

….

So, actually, I presented the above in class and during the discussion my instructor asked about non-Western takes on the shark. Admittedly, I hadn’t looked them up. I took some time tonight thinking about this a little more, and this is what I found.

New Finds [Feb 23, 2010]
Sharks live in all the waters around New Zealand, and have been a part of the Maori culture for some time. References to the shark’s strength and power can be found in Maori mythology and art. Maori are indigenous to New Zealand. Most information comes from: www.teara.govt.nz

Maori mythology: Maori and their ancestors (Polynesians) even thought of sharks as protectors. The Hawaiian word for shark protector is aumakua. A shark-related myth states that a legendary ocean guardian (or taniwha) will come to the rescue of a crew if their canoe overturns. Another myth of the Te Arawa tribe also tells of a shark coming to the aid of a crew attacked by a sea monster. Afterwards, the tribe named themselves “shark” or Te Arawa.

Origin of the Galaxy: “In Māori mythology, Māui placed the shark Te Māngōroa in the sky, forming the Milky Way.” Māui is a demi-god in Maori mythology. The Milky Way was known as the “Long Fish” (Ika-roa) or the “Long Shark” (Mangoroa), or “The Fish of Maui” (Te Ika a Maui).

Maori proverbs: There are a few proverbs related to death and sharks, venerating sharks. One Maori proverb is: Kia mate ururora, kei mate wheke. Let me die like a (hammerhead) shark, not like an octopus.

The other is: Kia mate uruora tātou, kei mate-ā-tarakihi. Maori caught octopus by hand, so perhaps this shows a relative lack of respect for octopi vs. sharks. Let us die like white sharks, not tarakihi fish. Tarakihi is a type of coastal fish common in New Zealand.

Maori contemporary artwork: While I was searching for more information related to the Maori culture and the Milky Way, I found some artwork feature sharks that were once part of a gallery exhibit. This is the gallery website. A few screenshots (below), the red and yellow fan-like sculptures, and the masks are from the gallery.

Aboriginal Australian Views of Sharks
In addition to Maori culture, I also found an excellent and thorough 6-page write-up about sharks and Aboriginal societies in Australia. “The Cultural Significance of Sharks and Rays in Aboriginal Societies Across Australia’s Top End” states that Aboriginal groups recognize a greater variety of sharks and therefore see them as “powerful and worthy of respect”. Aboriginal cultures not only respect sharks, they also use them for food. In contrast, Australians of European origin (or Western thought, for that matter) view sharks solely as predators and tend to fear them irrationally.

Here are a few screenshots from my new research activities.