Outlining some ideas for my typography class at Parson’s, for our book making projects.
For class, we will be creating 2 projects, which will turn into books. One is a psychogeographical map and the other is a little cooking memoir. I need to come up with idea for each.
The cooking book is to teach us about book binding and selecting type options for recipes, which can have many options. We need to pick a somewhat personal story/recipe. I think I will write about both my hatred of pot pies, as well as my love of Gordon Ramsay’s shepherd’s pie recipe, which I first made during Hurricane Sandy. This was also the week I adopted my cats, only kittens at the time, only 8-10 weeks old. At the time, the subways had been shut down, so I couldn’t go anywhere for a week. Luckily, because I was living so far north in Manhattan, there was no flooding and basically we didn’t lose any power. (In the East Village, it was another story.) I think there’s enough there to write a good story.
For the Psychogeographical Mapping…I’m drawing a blank. Some ideas:
Japanese grocery stores
Walking down the street listening to Rhapsody In Blue and taking note of what’s around me. (If you haven’t done this, while taking a walk in NYC, you’re really missing out.)
Mapping the Central Park Conservatory Garden, a good place to read. Maybe the benches.
Maybe some better ideas:
Map movie theaters in NYC that aren’t chains, up to 96th St. Meaning no Regal, AMC, or Imax theaters. City Cinemas is OK.
Map Goodwill Donation stores. I do go to Goodwill and the Salvation Army a lot.
I’m leaning towards the theater idea. Now to do some write-ups.
Over the past week or two, I’ve been collecting a lot more information about body image, or the body, in relation to artists’ works. Particularly, scholars who’ve written about the body, artists who use the body in their art, or artworks featuring the body or body image. It’s been actually quite interesting to look through all of this information. Here’s a list of what I’ve come across below. For some of them, I’ve written some short thoughts or descriptions about what I’ve seen or understood.
Marina Abramovic, (performance art) Rhythm 0:
In Rhythm 0, Abramovic placed about 70 articles of pain and pleasure in front of her, and then stood as an object while the audience manipulated the objects with her body. Starting out innocently, the performance turned more malicious and aggressive as audience members began to cut her skin, tore her clothes, fondled her breasts and even put a loaded gun to her head. (She provided the gun and the bullet.) When a guard announced that the performance had ended, Abramovic, now teary eyed, walked towards her audience as one of them, yet many or all of them literally ran away. The artwork questions how we objectify each other and tests the limits of our civility towards each other.
Carolee Schneemann, (performance art) Interior Scroll:
In Interior scroll, Schneeman reads a paper scroll as she simultaneously pulls it from her vagina. Definitely an act of reclaiming her body and her ownership of her sex.
“I thought of the vagina in many ways– physically, conceptually: as a sculptural form, an architectural referent, the sources of sacred knowledge, ecstasy, birth passage, transformation.”
Barbara Kruger, (photography collage) including Your Gaze Hits the Side of My Face, Your Body is a Battleground, You Are Not Yourself:
I have to admit that I don’t quite get the art, but I really like the phrase, “Your Body is a Battleground”. It represents so well how strongly we have to remain conscious of the fact that we have a right to not look like how the media, fashion, and the contemporary body aesthetic tells us we should look.
Cindy Sherman, (performance/photography) including Untitled Film Stills and other photos series in which she dresses up as other people/identities:
This is an amazing selection of images that challenge identity and image. When I looked through these photos, I thought “Who are we really?” Is our identity ours, or do we in some way embody the identity of others? I’m still not so sure I know what Cindy Sherman really looks like…. Link
Pipilotti Rist (video performance) PickelPorno:
Pipilotti Rist apparently made her mark with this video. It features a man and a woman, some nudity, and a fish-eye camera, along with other imagery; some sexual. At first, I really didn’t like the video because not only did I not see any intention, the production quality is fairly poor. (I guess I’m used to HD!) I turned it off, and then returned to watch it. After a while, I found enjoyment in the unusual or overlooked perspective views of the body. For instance, with the camera so close to the body, human skin is seen as it really is – hairy and imperfect. I found that while I often wanted to turn away, I couldn’t. It was like a visual exploration of the body, reminiscent of the way 2 lovers explore each other’s bodies. View film on YouTube
Ana Mendieta (performance/experimental) Cosmetic Facial Variations:
She was a Cuban artist whose work included a series of “Cosmetic Facial Variations, such as looking ambiguously male and/or female.
Orlan (‘whose medium is plastic surgery – commenting on the world of artificial changes to the body to be perfect/beautiful’):
Seems as though she has undergone a series of plastic surgeries, and then uses not only the surgical results as artwork, but also the surgery videos. She also seems to want to push our interpretations of chasteness and sexuality in religion, and the openness, or lack of openness, of female sexuality.
Women are Passive and receive the action; Men are Active and give the action
Men are both the lead actors and the spectator; women are there for them
Women’s lack of a penis is a threat of castration and unpleasure; are “disarmed” simply due to lack of phallus/phallus-symbol
Scopophilia, “love of looking”
Cinema defines space, time and size
Image of women used for detachment and voyeuristic active/passive mechanisms
Interview with Vanessa Bancroft, from The GuardianInterview with Vanessa Bancroft:
The artist makes performance pieces featuring up to 100 semi-nude and nude models, many of whom resemble the artist and/or have eating disorders. Bancroft admits that she has been struggling with eating disorders (exercise bulimia) since she was 12.
Janine Antoni (process) Gnaw:
The artist took two blocks of chocolate and lard, bit into them piece by piece, and then made a chocolate box and lipstick out of the pieces she’d bitten. I appreciated this for the repurposing of the lard and chocolate, but biting into lard feels viscerally creepy. Detailed description from MoMA and from Brooklyn Museum. Link
Chris Woebken (design, technology)Animal Perception Helmets:
I love that these seem so game-like, fun, and goofy. My favorite is the ant, because it’s such an abstract view of the world. It also reminds me of Pipilotti Rist’s work, Pickelporno. I’m considering the use of magnification in my project.
Simon Høgsberg (photography) Faces of New York:
A photography project featuring 10 New Yorkers who Høgsberg found immediately fascinating after a month of looking, 7 hours a day. Link
Phillip (“Mr Toledano”) Toledano (photography) A New Kind of Beauty:
Features a series of still photographs of people who have clearly undergone some type of plastic surgery. The people themselves did not look “normal” – as in, their plastic surgery procedure(s) was very obvious – but their portraits were beautiful. For the most part, I found that many of them looked alike, both men and women, as if the same facial aesthetic was the same for both men and women. They seemed so much like a new species of hermaphroditic, male/female neutral people, I wanted their names to be more exotic than just Steve, Yvette, or Michael….
A few links on eating disorders in men and ballet dancers. (Note: There are few reference links provided, so the factualness of many of these statements cannot be easily verified, but the anecdotal information is useful.)
“A ballet dancer is very aware of what her body looks like. At each practice she attends she wears skin-tight clothes and dances strenuously in front of large mirrors. A dancer has to look at herself for many hours in a day and this can cause a realization in the dancer. The general public may look in the mirror for a few minutes a day, hardly aware of what they really look like, but a dancer has no choice but to stand in front of a mirror and compare herself with others in the room…. The truth is as stated by a dancer, ‘In the real world people who are not thin do not get jobs.’ “
Emma Hack (skin illustrator, photographer, sculptor), Various skin illustrations:
I just came across this artists work and found the camouflage aspect of her art really interesting and beautiful. And, I enjoyed how the work focused less on the body and more of the body’s disappearance into the art. Her website is emmahackartist.com.
Genesis 1:27God Created man in his own image:
Lastly, I was just listening to the radio the other day, and there was a guy talking about homosexuality and tolerance. The man speaking was relatively conservatively religious, except that he advocated for tolerance towards gays and lesbians (though not towards gay marriage.) In any case, he quoted the Bible and it seemed to fit with my body image interest, so I’ll just add it here, too. Link.
So God created man in his own image, in the image of God created he him; male and female created he them.
My final project for Physical Computing eventually ended up to be an MP3 player that encourages you to take care of your houseplant. This evolved from a previous idea of making a plant that is more like a pet than a plant. I changed my mind after getting some good feedback from my class when I presented my idea. One of their suggestions was to focus on the emotional aspect of how the plant makes you feel. They also advised that care of the plant needs to be an important aspect of the project.
This is how it works: Press the moisture test button. If the soil is dry, the plant will cry; otherwise, it will laugh. If the soil isn’t dry, you can use the MP3 player. You can advance forward and back through an array of music files. You can also pause the music.
Not only do you care for your plant, it seems like your plant cares for you, too. Although the interface for this project ended up being dainty and pretty, I do admit that 90% of my time on this project seemed to really be spent on code and trying to get things to work. I’ve written about this project in previous posts, so I won’t recap what I’ve discussed in those. But, they’re here if you are interested in reading through them and understanding more about how the project was generated.
Because I wanted to embed the interactive mechanics inside the plant, I spent about 1 week on the wave shield and, while I did get it to work, in the end still couldn’t get it to work so well. Some of the issues I had with it were that I didn’t understand the documentation clearly, the code is in some C-language, and my SD card wasn’t formatted correctly. Eventually, I did get it to work, but by that time Minim was looking pretty good. So, sound was now going to be handled by Processing. I also tested out different motion detection sensors to see what types of results I could get that would fit my needs best. Some of the issues I had were that the sensors were too bulky to elegantly embed inside the plant or the serial data I got from the Arduino was too sensitive.
Meanwhile, I was also thinking about my ICM final and how I wanted to create something separate from my Phys Comp final. Originally, I wanted to make a radio that streamed internet radio stations. However, when I discussed this idea with more knowledgeable people and looked it up online, I got the impression that it would be very difficult to implement. So, I left that idea behind and went to my next idea, which was simply an MP3 player. Wanting to make something more interactive and pretty, I started looking up options for Processing and Minim, and what type of visual display I could make. I looked around for an “audio visualizer” on OpenProcessing.org and found this sketch to work with. After that, I spent a little bit of time everyday trying to figure out how the code worked and augmenting it bit by bit to create something new.
By now, it became obvious that I should just put the two projects together. Deciding to use Minim for my Physical Computing project was a huge relief. Not only was it easier to use and had documentation I could understand, it was also easier to get help since Minim is something that other people at ITP have actually worked with on a somewhat frequent basis. (It’s also in the book).
Plus, I could research more about Minim while I was away at a conference in London for a few days. When I got back the States, I went back to the prototype I’d set up before I left using FSRs as triggers for the playback buttons. The FSRs I switched out for exposed wires, because I really didn’t need the analog input values the FSRs provided. (Plus, I seem to have a tendency to destroy my FSRs.) What I really needed were simple HIGH and LOW values from a digital switch which I made out of small sheets of copper.
To test the soil for its resistance to electrical current, I made what could easily be called the simplest switch ever. Add 2 nails + 5V + ground to wet soil. Test for current. Actually, I learned how to do this from reading the internet, the blog of another student,and talking to yet another knowledgeable person.
As I understand, this switch works when the resistance of the soil changes enough to allow a current to flow more freely. At first, I tried this out with just a bowl of water, but I think maybe it shorted out (?) – you really need a plant or at least the soil to get this to work properly. I also added an LED for my own visual feedback.
So, now I had the buttons and the plant. Eventually, I also had a pretty nifty audio visualizer (which at the time of this writing, I may still try to improve upon). So, finally, I just had to assemble the pieces.
Pretty much I just found whatever I had lying around. I found a picture frame in the junk shelf and used that for the frame. I also had some pieces of cork lying around for a bulletin board I never put on my wall, and I used that to cover the frame and to be a backing for the buttons. The whole construction phase literally took just 1 day. Most of my issues with this project were with the code. Luckily there are more knowledgeablepeople around who can offer help with the code. It also made it a lot easier to test the switches when the wires were not stuck in a plant.
Now that I’m done with the simplest of functionality, to improve it here are a few things I could do:
Make a sturdier interface – use something other than cork
Label the buttons
Provide more feedback when a button is pressed, such as an LED
Make the hardware smaller – so that it could fit into other plants or could be portable
Make the hardware wireless – so it can work with your iTunes playlist or another array of music files; e.g., it would just give the go ahead that the plant is well watered and you can now play music
Use a larger array of sound files, such as from your computer’s music library or a specific playlist you’ve selected. The issue with this improvement is that Minim doesn’t seem to like audio files that are not .wav or .mp3
I’ve been posting this on all my accounts today. As was said on Flowing Data, this video is totally worth 3 minutes of your life. What a fun take on a classic fairytale. Apparently, it was based on this Röyksopp video, which you can catch on YouTube.
I really like the way all of the parts of the story are presented so matter-of-factly, especially Grandma’s calorie count of 10,000 kcal. Actually, after watching this video I was reminded of one key fact/mishap of the story. Even after Grandma and Little Red Riding Hood are saved, Grandma’s still sick. What about that part of the story? I’m sure it doesn’t end well. Well, at least I found the next song I’m gonna get on iTunes.